![]() ![]() Since the middle of the 20 th century the number of luthiers making fine replica instruments such as the one pictured here and the number of amateur and professional performers of the guitar has grown considerably as part of the early music movement. They include unaccompanied solo pieces, song accompaniments, dance music, and mixed ensemble works. This music is written in tablature notations that were published throughout Europe during the 16 th and well into the 17 th centuries. A substantial repertoire of solo works written for the four-course Renaissance guitar survives. Given the number of guitar tutors published for amateur players of varying levels of accomplishment the guitar must have also been a part of the musical life of non-aristocratic social strata. Instrument inventories of royal households from that period include guitars, indicating performances on them were part of the musical culture of European nobility and aristocrats. Join us in celebrating the opening of Medieval to Metal at The Museum's annual fundriaser, Night at The Museum.This guitar is a plucked box-lute chordophone of Renaissance (16 th century) Europe. Learn more about the evolution of the guitar Septem– January 9, 2022. ![]() The exhibition also includes life-size photorealistic illustrations of historically important guitar designs from noted artist Gerard Huerta, and 20 photographs of acclaimed musicians and their guitars from Neil Zlozower, one of the world's premier concert photographers. Spanning centuries of design and craftsmanship, the exhibition takes visitors through the history of an object that is one of the most recognizable items on the planet. Developed by The National GUITAR Museum (NGM), it features 40 objects, ranging from the intricately inlaid Moorish oud and six-foot long Renaissance theorbo on to the modern Italian design of the Eko and transparent acrylic body of California's BC Rich guitars. Medieval To Metal: The Art & Evolution Of The Guitar celebrates the artistic development of the guitar. Eventually, gourds gave way to carved wooden bowls, and sticks became wide wooden necks with many strings, and the instruments we know today began to take shape. There was no point at which the two types were joined together, but over thousands of years instrument makers combined the best of both worlds to create instruments that were right for their time. Today’s stringed instruments are descended from one or both of these instruments. But because they were strung across open space, there was no place to press down on the strings and change their notes. On the other hand, the lyre had four or more strings, allowing for a combination of notes that could be plucked or strummed as chords and their large bowls produced a vibrant sound. And their small gourds produced a thin sound. ![]() But the width of the stick-like necks limited the number of strings sometimes only a single string and rarely more than three or four. Instruments with necks allowed musicians to create different notes by pressing the strings down at different points on the neck. The difference between the two is significant. Small gourds were attached to the sticks to increase the volume and improve the sound. The second type was a stick to which a few strings were attached at the top and bottom. The first were harp-like instruments such as the lyre where many strings were tied over an open space like a gourd bowl or a tortoise shell, or strung from a bowl up to a crossbar. The origin of these instruments go back to at least 3000 BC, the beginning of recorded history. Guitars and other modern stringed instruments evolved from two ancient types of musical instruments. ![]()
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